Photographing Veils

Shari Photography 

Veils on a  bride look amazing.  I love the different ways to can photograph them to create powerful and creative images.  The one area that a photographer needs to be aware of is to not lose details of the veil by over exposing the image.  If you over expose or expose for the skin, then the veil will lose all its details.  And if you lose the details, then what is the point of taking the picture?  

I will under expose the veil by 1/3 stop just to ensure the details don,t get lost. 

Canon 5D mark 2

50 mm 1.2 L

F 2.2 1/ 250 Iso 1200

Details and placement

There is always an interesting place to compose detail shots.  Look for anything to hang the rings or jewelry items on and they will look great.  Shoot at a shallow depth field for an even stronger and more dynamic image. 

Golden Hour Backlight

Shari Photography-  Back light.
Golden hour is 1 hour before sunrise or or sunset.  The light is perfect.  Anytime you can photograph during this time-  do it!  The light is exceptional and well worth the effort because your images will look incredible. 
There is a lovely golden hue to the images.  This is especially true if you can back light with the sun.  Also, there is a softness to the light that creates a spectacular effect on the skin tones  Shadows also can play a role in the composition in a way that adds a third dimension.

I always try to plan my couples portraits during this time.
Canon 5D Mk2
16-35 f2.8 L
f8 1/1200

Over expose it - it's ok!

Shari Photography exposure-

Not enough photographers over expose- sounds a bit naughty.  

I tend to over expose by a 1/3 stop in most images.  I think it makes an image look brighter and adds a lift when I post edit.  This is especially true as I add more black to an image. The contrast of the slightly over exposed whites and the boosting of the blacks adds density to the images  I like.  

For portraits, this works as well by brightening faces which is a very appealing look.  Look at the previous blog post of a Headshot to see what a 1/3 stop over exposure looks like.  

In this scene, I want the whites of the walls to be much brighter so as to contrast the dark shadows of a high midday sun. 

And if you look carefully, you can see me:)

Ideal Portrait Lens?

Shari Photography Headshots.  
Easy-  85 mm.  
All other focal lengths will distort the face.  The exception being 100mm.
My favorite lens is the Canon 85 mm 1.2 L.  It will set you back $1800 and change.  But what a beauty!  I can focus on an eye lash at 1.2 and blur the rest of the face in a gentle drift. 

Lonely Beaches

Part of the Shari Photography brand is the look I try to create with a majority of my images.
I love looking for photographic opportunities that deal with single image focus-  in other words subject matter that isolates 1 main idea-  the English Romantics called it a Sublime  experience-  one where the size and magnitude of 1 object in the scene (like a tree or mountain) would become the central focus of the experience.
These beach shots try to bring that sublime focus on a single object.
Canon 5D  Mk2
16-35 L  f.3.2  1/200
Lightroom enhanced-  mostly the sky.

The Hands on the Dress

Details and hands go together.  

While taking an isolated shot of a shoe ora bracelet  is important and can look great if photographed properly, it is important to include a human touch to key moments of the day.  

At Shari Photography we always take time to photograph the dress for example in many different setups-  hanging on a pretty door, or draped on the bed.  We focus on the intricate features of the dress as well with a macro lens.  All these shots can look fantastic.  

However, the image that always stands out, is the one when the dress is being handled- usually by the maid of honor or the mother of the bride.  As a photographer, I anticipate this moment because the hands take on a gentle and respectful feel to them.  The Dress is handled in a very gentle manner and it is this moment that makes it so special to photograph.

None of these moments need to be staged-  we just let it unfold.  

I always keep my background in mind for these shots-  look for a light of window to provide a nice backlighting effect.  I would avoid a dark background as you need to have a separation from the subject- in this case the dress.  

Without the graceful hands gently putting the final touches of the dress together, then the image would not look the same.  

Canon 5D mk2

50 mm L  f1.8 1/200

Speedlight facing backward.  

Lightroom 5 editing.  

Great Wedding Dress and Gown Website

http://www.persunwedding.co.uk/

If you are looking for a wedding dress, or gown, brides maids ideas, or just interested in the current trends,  Pre Sun Wedding -  http://www.persunwedding.co.uk/      is the website for you.

It is a site full of great ideas, great prices, and very easy to navigate.  There are so many choices to review and with terrific comments about each dress.
A quick visit and you will see why it's one of my fav wedding sites.

Beach at Night

Night photography is a style I have  always enjoyed.  Shadows and highlights make a scene look totally different when photographed at night.  As always, shutter speed or the ability keep the camera steady to create sharp images is a must.  I can hold a camera steady at 1/30 consistently if I control my breathing and keep my upper body tight during the shot.
A fast lens is also a huge help.  When I travel, I leave the 50mm 1.2 behind and take my 50mm 1.4 instead.  As rugged as the 1.2 is, I am a little paranoid about ruining a $1500 lens when I travel.  The 1.4 is a fantastic lens for about $400.
Photographing in high ISO is also helpful.  The Canon 5D MK2 does a great job of working in the 2500- 3000 range with good noise control.
The choice of color or black and white is based on the warm tones in the image.  If there are warm colors because of the light, then I keep the final edit in color.

 Color Images-
Canon 5D MK 2
Canon 50 mm  1.4 1/30  ISO 1800

Canon 5D MK 2
Canon 50 mm  1.4 1/30  ISO3200

Thames & Stuff

What a glorious site the Thames is at anytime. Photo opportunities everywhere! For this shot I wanted something in the foreground to give the image balance. The big boat did nicely.
River Thames with Big Ben and stuff. Dec 2012.
Canon 5d Mk2. 50 mm 1.4.  f 5.6  1/500
Edited Lightroom.
Shari Photography

Action Photography- Get on their Level

I've taken action photos of professional sports like water polo, rugby, soccer, football, and basketball.  Being a sports fan, I love being a part of the action and the camera has allowed me to do that.  Thankfully I have a daughter who loves sports which gives me an opportunity to photograph her and her teammates.  Sharing the images with the other parents is really gratifying.  And it beats having to fight the deadlines. 

  In all these sports, the best advise I can give is get on the level of the athlete.  I see too many parents shooting from the stands.  The action is in the eyes, expressions, and physical movements the athletes create.  If you are positioned above the subject you miss all three elements.  Get on the deck, grab a chair and shoot.  Don't worry about ho many pictures you are taking.  Anticipate the movement of the ball and fire off 5- 10 frames at a time.  The 5th or 6th frame will be the best ones from each sequence.   



 

Another essential element is the zoom.  You want to be able to isolate the athlete as much as possible.  I have used both the Canon 70-200 IS 2.8 L Mk2 and their 300mm f2.8.  Both are amazing, but for sharp images the 300 is spectacular.  I avoid having to post edit crop- with so many images get it right in the camera.  Fill the frame and fire away. 

 

Finally, a fast enough shutter to freeze the action is a must.  This can be tricky in low light gyms.  But with the 5D Mk3s I can shoot comfortably with an ISO at 20,000 and not worry about the noise.  This has been a huge game changer.   To freeze the athlete, I try and maintain a 1/500 or faster shoot at f 2.8-3.2.  With an L lens, wide open is still amazing. 

 

Canon 5D Mk 2

Canon 70-200 IS 2.8 Mk2

ISO 20,000

f.2.8 1/500